Communication, correspondence and influence
Shaping Form 1
Shaping Form 2
Shaping Form 3
Shaping Form 4
Interactive work (1)
In the 2000s generative works, video constructs, became interactive using sound and image sensors. Concern for long term influences—rather than short term reactions—led to the Shaping Form series.
Abslote#5
Milson Move
Milson Sound
Cities Tango
Interactive work (2)
The early concerns of Communication Games were revived and combined with Shaping Forms to create the distributed interactive systems, Cities Tango (above right). New work included collaboration with Mark Fell on a series of sound/image performances.
Abslote#5 With Mark Fell. (animated, please wait)
2005. Shown at White Noise, Australian Centre for the Moving Image, Melbourne.
Milson Move (still), Video Construct on 2 screens, 2005.
Shown at Minimal Approach… Concrete Tendencies, Melbourne, Australia.)
Milson Sound (still), 2006.
Shown in the Transcapes Artificial Nature 1 exhibition, UTS Gallery, Sydney
Cities Tango (still), Belfast/Sydney connected, 2009.
Shown at ISEA, Belfast and the Conny Dietzschold Gallery, Sydney.)
Exhibitions (2000s)
- 2009
- C&C09 Berkeley Art Museum, CA (Performance)
- 2009
- When Ideas Become Form - 20 Years, Conny Dietzschold Gallery, Sydney
- 2009
- Cities Tango, Conny Dietzschold Gallery, Sydney and ISEA, Belfast
- 2009
- Image Ecologies, UTS, Sydney
- 2009
- Cities Tango Beta_Space, Sydney and Federation Square, Melbourne
- 2008
- Cities Tango UrbanScreens Berlin and Federation Square, Melbourne
- 2007
- Ernest Edmonds and Alf Loehr, Conny Dietzschold Gallery, Sydney
- 2007
- Correspondences in Sound and Image (performance) Carriageworks, Sydney
- 2007
- Speculative Data and the Creative Imaginary, National Academy of Sciences Gallery, Washington DC
- 2007
- ColorField Remix, WPA\C Experimental Media Series (performance), Corcoran Gallery of Art, Washington DC
- 2006
- Tango Tangle, Federation Square urban screen, Melbourne
- 2006
- Artificial Nature 1: Transcapes, UTS Gallery, Sydney
- 2005
- White Noise, Australian Centre for the Moving Image, Melbourne
- 2005
- Beta_Space, Powerhouse Museum, Sydney
- 2005
- Ernest Edmonds and David Thomas, Conny Dietzschold Gallery, Sydney
- 2005
- Minimal Approach… Concrete Tendencies, Tin Sheds Gallery, University of Sydney
- 2004
- Australian Concrete Constructive Art, Conny Dietzschold Gallery, Sydney
- 2004
- SIGGRAPH Art Exhibition, Los Angeles
- 2004
- GRAPHITE Art Exhibition, Singapore
- 2004
- Sonar2004Festival, Barcelona
- 2004
- Millenium Galleries, Sheffield, UK
- 2004
- NEWART, AMP, Sydney
- 2003
- SPARKS, UTS Sydney
- 2000
- Global Echos. Mondriaanhuis, Amersfoort
- 2000
- Constructs & Reconstructions, Loughborough University (one-person)
- 2000
- Relativities, Bankside Gallery, London, and tour
Selected Publications (2000s)
- Candy, L. and Edmonds, “E.A. Explorations in Art and Technology”, Springer-Verlag, London, 2002.
- Edmonds, E. A. “Structure in Art Practice: Technology as an Agent for Concept Development”. Leonardo, 35 (1) 2002.pp. 65-71
- Edmonds, E. A. “On New Constructs in Art”. Artists Bookworks, UK, 2005.
- Edmonds, E. A. “Constructive Computation”. In P. Brown, C. Gere, N. Lambert & C. Mason (Eds.), White Heat Cold Logic - British Computer Art 1960-1980. London, UK: MIT Press, 2009, pp 345-360.
- Boden, M. A. and Edmonds, E. A. “What is Generative Art?”. Digital Creativity Vol. 20 Nos 1-2, 2009, pp 21-46.