Ernest Edmonds : research : recent publications

Editorial roles

• Editor-in-Chief of Transactions in the journal Leonardo
• Editor-in-Chief of the Springer book series Cultural Computing
• Member, editorial board of the journal Digital Creativity

Selected publications

Books

• Candy, L. and Edmonds, E. A. (editors) Interacting: Art, research and the Creative Practitioner. Libri Press, Oxford. 2011.
• Edmonds, E. A. On New Constructs in Art. Artists Bookworks, UK, 2005.
• Edmonds, E. A. and Stubbs, M. (editors) White Noise, ACMI, Melbourne, 2005.

Journal Articles

• Edmonds, E. A. and Franco, F. (2017 - to appear) “Systems Theory, Systems Art and the Computer: Ernest Edmonds interviewed by Francesca Franco”, Interdisciplinary Science Reviews Journal 42.1.
• Edmonds, E. A. (2016) “Network Art from the Birth of the Internet to Today”. Acoustic Space, Vol. 15: OPEN FIELDS. Art and Science Research Practices in the Network Society, pp 80-87.
• Edmonds, E. A. and Franco, F. (2013) “From Communications Game to Cities Tango”. Int. J. Creative Computing, Vol. 1, No. 1, pp 120-132.
• Danylak, R. and Edmonds, E. A. (2012) “The planning and experience of time and space in three gestural media: theatre, film and interactive film” Int. J. of Arts and Technology Vol.5, No.1, pp 1 – 16.
• Edmonds, E. A. (2011) “The art of interaction”, Digital Creativity, 21:4, pp 257-264.
• Edmonds, E. A. & Leggett, M. (2010) “How Artists Fit into the Research Processes”. Leonardo 43:2, pp 194-5.
• Foster, J., Lin, A. and Edmonds, E. A. (2010) “We Don’t Do Google, We Do Massive Attacks: Notes on Creative R&D Collaborations”. Leonardo 43:1, pp 94-5.
• Amitani, S., & Edmonds, E. (2010) “A Method for Visualising Possible Contexts”. Int Journal of Advanced Intelligence Paradigms. 2:2/3, pp 110-124.
• Edmonds, E., & Candy, L. (2010) “Relating Theory, Practice and Evaluation in Practitioner Research”. Leonardo. 43:5, pp 470-476.
• Edmonds, E., Bilda, Z., & Muller, L. (2009) “Artist, evaluator and curator: three viewpoints on interactive art, evaluation and audience experience”. Digital Creativity, 20:3, pp 141–151.
• Boden, M. A. and Edmonds, E. A. (2009) “What is Generative Art?”. Digital Creativity 20:1-2, pp 21-46.
• Amitani, S., Bilda, Z., Edmonds, E. A. (2008) “Our Content: Generative Methods for Montaging Multimedia Data”. Design Studies Vol 29, Issue 6, pp 572-586.
• Bilda, Z. Edmonds, E. Candy, L. (2008) “Designing for creative engagement”. Design Studies, Vol 29, Issue 6, pp 525-540.
• Seevinck, J. Edmonds, E. (2008) “Emergence and the art system ‘plus minus now’”. Design Studies, Vol 29, Issue 6, pp 541-555.
• Johnston, A. Candy, L. Edmonds, E. (2008) Designing and evaluating virtual musical instruments: facilitating conversational user interaction, Design Studies, Vol 29, Issue 6, pp 556-571.
• Amitani, S., Edmonds, E. A. “Designing a System for Supporting the Process of Making a Video Sequence”, in Transdisciplinary Digital Art: Sound, Vision and the New Screen, Communication in Computer and Communication Science (CCIS), Springer, 2008.
• Edmonds, E. A. (2007). “Reflections on the Nature of Interaction”. CoDesign: International Journal of Co-Creation in Design and the Arts. Taylor & Francis Group, UK: September 2007, Vol. 3 Issue 3. pp 139-143.
• Bilda, Z, Candy, L, and Edmonds E. A. (2007). “An Embodied Cognition Framework for Interactive Experience”. CoDesign: International Journal of Co-Creation in Design and the Arts. Taylor & Francis Group, UK: September 2007, Vol. 3 Issue 2. pp 123-137.

Refereed Conference Papers and Book Chapters

• Edmonds, E. A. (2014) “Human Computer Interaction, Art and Experience”. In Candy, L. and Ferguson, A. (editors) Interactive Experience in the Digital Age: evaluating new art practice. Springer, London. pp 11-23.
• Alarcón, X., A., Askaroff, K., Candy, L., Edmonds, E. A., Faram, J. and Hobson, G. (2014) “Evaluation in Public Art: The Light Logic Exhibition”. In Candy, L. and Ferguson, A. (editors) Interactive Experience in the Digital Age: evaluating new art practice. Springer, London. pp 187-208.
• Berry, R., Edmonds, E. and Johnston, A. (2013) “Representational systems with tangible and graphical elements”. In 12th IEEE and ACM International Symposium on Mixed and Augmented Reality, ISMAR 2013; Adelaide, NSW; Australia;
• Edmonds, E. (2013) “Moving Between Poetry and Code”. In Ferran, B. (ed) Visualise: Making Art in Context. Anglia Ruskin University, Cambridge, UK. pp 64-71.
• Candy L, Edmonds E, Alarcón X, Smith S (2013) “Evaluation in public art: the Light Logic exhibition”. In: Proceedings of ISEA2013.
• Clark, S. and Edmonds, E. (2013). “ColourNet: a system of interactive and interacting digital artworks”. In CHI ‘13 Extended Abstracts on Human Factors in Computing Systems (Paris, France, April 27 - May 02, 2013). ACM Press, New York, NY, pp 2911-2914.
• Edmonds, E., Benford, S., Bilda, Z., Fantauzzacoffin, J., Malina, R., and Vinet, H. (2013). “Digital arts: did you feel that?” In CHI ‘13 Extended Abstracts on Human Factors in Computing Systems (Paris, France, April 27 - May 02, 2013). ACM Press, New York, NY, pp 2439-2446.
• Berry, R. , Edmonds, E. and Johnston, A. (2013) “Representational systems with tangible and graphical elements”. In 12th IEEE and ACM International Symposium on Mixed and Augmented Reality, ISMAR 2013; Adelaide, NSW; Australia; 1 October 2013 through 4 October 2013.
• Hills, D., Ji, Y. and Edmonds, E. A. (2012) “An Enactive Multimodel Interface for Narrative Construction”, Proceedings of 3rd of Arts and Science International Symposium, Tsinghua University Press, Beijing, pp 260-265.
• Jill Fantauzzacoffin, Joanna Berzowska, Ernest Edmonds, Ken Goldberg, D. Fox Harrell, Brian Smith (2012) “The arts, HCI, and innovation policy discourse: invited panel” CHI EA ‘12. ACM Press NY NY. pp 1111-1114.
• Welley, V. and Edmonds, E. A. (2011) “The HCI researcher as artist and designer: approaches to creativity and distance” Proceedings of the 8th ACM conference on Creativity and Cognition ACM Press, New York, NY, pp 233-238.
• Turnbull, D., Connell, M. and Edmonds, E. A. (2011) “Prototype Places: Curating Practice-Based Research in a Museum Context”. In Ciolfi, L., Scott, K. and Barbieri, S. (eds) Proceedings of Rethinking Technology in Museums 2011, University of Limerick, Ireland. pp 203-214.
• Edmonds, E. A. (2011) “Art, Interaction and Engagement”. In Banissi, E. et. al. (eds) Proceedings of Information Visualization 2011. IEEE, Los Alamitos, CA. pp 451-456.
• Edmonds, E. A. (2010) “Beyond abstract film: constructivist digital time” Proceedings of Electronic Visualisation and the Arts, London.
• Edmonds, E. A. (2010) “The Art of Interaction” (keynote paper) Proceedinds of Create 10, Edinburgh.
• Edmonds, E. A. and Franco, F. (2010) “From Communication Game to Cities Tango” Proceedings of Computational Aesthetics, BCS, London, June.
• Amitani, S., Bilda, Z., Hills, D. & Edmonds, E. A. (2009) “Our Content: Generative Montage Methods for Multimedia Data”. ICIW 09 4th Int Conference on Internet and Web Application Services. Venice, Italy, IEEE Computer Society.
• Costello, B.M., Edmonds, E. A. (2009) “Directed and Emergent Play”. Creativity & Cognition Conference 2009, Berkeley, Ca. USA.
• Edmonds, E. A. (2009) “Cities Tango: between Belfast and Sydney, 2009” (installation). In Mey, K. E. A. (Ed.) Belfast, Ireland, Interface, University of Ulster.
• Edmonds, E. A. (2009) “On New Constructs in Art: Structure, Time, Correspondences and Interaction” (keynote paper). IN Seal, A. E. A. (Ed.) EVA London 2009 - Electronic Visualisation and the Arts. London UK, British Computer Society.
• Edmonds, E. A., Bilda, Z. & Muller, L. (2009) “Artist, Evaluator and Curator: three viewpoints on Interactive Art, Evaluation and Audience Experience”. In Boyd Davis, S. (Ed.) Completing the Circle Symposium. British Computer Society, London, Middlesex University, UK.
• Edmonds, E. A. (2009) “The Art of Programming or Programs as Art”. IXth Consciousness Reframed Conference, Vienna. Springer Verlag Wien, Austria. Springer-Verlag/Wein.
• Moss, S & Edmonds, E. A. (2009). “PEGASYS: an Interactive Panoramic Cinematic Presence-Generating Art System”. 15th International Symposium on Electronic Art (ISEA), Belfast, Ireland,UK.
• Phalip, J., Edmonds, E., Jean, D. (2009). “Supporting Remote Creative Collaboration in Film Scoring”. Creativity and Cognition 09, Berkeley, USA. 27-30 October 2009.
• Edmonds, E. A. (2009) “Constructive Computation”. In Paul Brown, Charlie Gere, Nicholas Lambert and Catherine Mason (Eds.), White Heat Cold Logic—British Computer Art 1960-1980. MIT Press, Cambridge, MA. pp 345-360.
• Edmonds, E. A. Amitani, S. (2008) “Shaping Forms on the Web with a Collective Memory”, 7th International Conference on Software Methodologies, Tools and Techniques (SoMeT 2008), American University of Sharjah, Sharjah, UAE, 15 - 17 October 2008.
• Edmonds, E. A. (2008) “The Creativity and Cognition Studios”. Proceedings HCI2008 Culture, Creativity, Interaction, Liverpool John Moores University, UK, 1-5 September 2008.
• Edmonds, E. A. Amitani, S. (2008) “Shaping Forms on the Web”. Proceedings of the 3rd International Conference on Digital Live Art [(re)Actor3], Liverpool UK, 3rd Sept 2008.
• Hills, D., Amitani, S. & Edmonds, E. (2008) “A Data Model for Generative Context Representation - Our Content Project’, Australasian CRC for Interaction Design Conference, QUT, Brisbane, Australia, 24th October 2008.
• Edmonds, E. A and Candy. L. (2008) “Interpretation in Practice”, In R2P: The Problem of Interpretation, 5th Research into Practice Conference, edited by Michael Biggs and Daniela Büchler, Royal Society of Arts, London UK, pp 45-47, 31st October 2008.
• Hills, D., Pisan, Y. & Edmonds, E. (2008) “Towards a Generic Framework for Situated Collaborative Storytelling”, Interactive Entertainment 08, QUT, Brisbane, Australia, December 3-5th, 2008.
• Phalip, J., Jean, D., Edmonds, E. (2008) “Resolving Ambiguity of Scope in Remote Collaboration: a Study in Film Scoring”. OzCHI 08, Australasian Computer-Human Interaction Conference, Cairns, Australia. 8-12 December 2008.
• Bilda, Z. Bowman, C. Edmonds, E. (2008) “Experience evaluation of interactive art: study of GEO Landscapes”, OzCHI 08, Australasian Computer-Human Interaction Conference, Cairns, Australia. 8-12 December 2008.
• Edmonds, E. A. (2007). “The art of Programming or Programs as Art”. Proceedings of the 6th New Trends in Software Methodologies, Tools and Techniques (SoMeT_07), H. Fujita and D. Pisanelli (Eds.), IOS Press, pp.119-125, 2007.
• Amitani, S., and Edmonds, E. A. (2007). “Algorithms for Scenario Generation Systems”, The 21st Annual Conference of The Japanese Society for Artificial Intelligence (JSAI2007), 20-22 June 2007, Miyazaki, Japan.
• Amitani, S. Edmonds, E. A. (2007). “Designing a System for Supporting the Process of Making a Video Sequence”, Digital Art Weeks Festival 2007, 9-14 July, Zurich, Switzerland.
• Amitani, S., Edmonds, E. A. (2007). “A Dynamic Concept Base: A Component for Generative Systems”, Digital Art Weeks Festival 2007, 9-14 July, Zurich, Switzerland. Proceedings available via the DAW website (PDF).
• Amitani, S., Edmonds, E. A. (2007). “A Context Visualiser: the Generative Website Project”, SIGGRAPH 2007 Sketches & Posters Program, 8-13 August, San Diego, CA, USA.
• Amitani, S., Edmonds, E. A. (2007). “A Method for Visualising Possible Contexts”, 11th International Conference on Knowledge-Based and Intelligent Information & Engineering Systems (KES2007), Invited Session of Chance Discovery, 12-14 September, Vietri sul Mare, Italy. KES 2007 / WIRN 2007, Part II, LNAI 4693, pp.901-908.
• Amitani, S., Edmonds, E. A. (2007). “Generative Website: Visualising Possible Stories”. VSMM2007, 23-26 September 2007, Brisbane, Australia.
• Bilda, Z., Edmonds, E. A., and Turnbull, D. (2007). “Interactive Experience in a Public Context”. Creativity and Cognition 2007: Seeding Creativity: Tools, Media, and Environments. June 13-15, 2007. Washington, DC, USA. An ACM SIGCHI Conference. pp 243-244.
• Bilda, Z., Edmonds, E. A., and Turnbull, D. (2007). “Interactive Experience in a Public Context”. Creativity and Cognition 2007: Seeding Creativity: Tools, Media, and Environments. June 13-15, 2007. Washington, DC, USA. An ACM SIGCHI Conference. pp 243-244.
• Zhang, Y., Weakley, A. and Edmonds, E. A. (2007). “Resolving assumptions in art-technology collaboration as a means of extending shared understanding”. in The 12th International Conference on Human-Computer Interaction. Beijing, China: Springer
• Phalip, J., Edmonds, E. A. (2007). “Guidelines for Communication in Film Scoring”. ICOMCS, the inaugural International Conference on Music Communication Science, Sydney, Australia. 5-7 December 2007.
• Phalip, J., Morphett, M., Edmonds, E. A. (2007). “Alleviating Communication Challenges in Film Scoring: An Interaction Design Approach”. OZCHI 07, Australasian Computer-Human Interaction Conference, Adelaide, Australia. 28-30 November 2007.
• Danylak, R., Bilda, Z., Edmonds, E. A. (2007). “Establishing Research Criteria for Performed Gestures and Emotional Interaction in a Gestural Film Game: To be or not to be”. Proceedings of the 6th New Trends in Software Methodologies, Tools and Techniques (SoMeT_07), H. Fujita and D. Pisanelli (Eds.), IOS Press, pp.166-181.

Full list of publications (pdf)